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Linnets & Valerians / Elizabeth Goudge Boston, MA: David Godine Publishers, 2015, c1964. 256 p. |
I've been having a hard time reading and an even harder time sitting down to review lately. So I decided that I should read something delightful from a favourite author, one of her children's book that I hadn't yet read. This was the right choice!
Linnets & Valerians is the story of the four Linnet children, Nan, Robert, Timothy and Betsy. They are sent to live with their grandmother when their father is assigned a post overseas -- their mother being, of course in these kinds of books, long dead. Their grandmother is strict and they are unhappy at the beginning of the book, as they are all being punished for rowdy behaviour by being locked away in solitary. They decide to escape and run away.
And so they do, walking to another village until in exhaustion they climb into a pony trap, which then sets off, the pony heading home, while they eat all the groceries in the back. I can see why Grandma locked them up!
Fortunately for them, the pony belongs to their Uncle Ambrose, a grumpy minister and scholar, who takes them in. Life there is much freer, even if they must be educated by Uncle Ambrose.
But instead of just larks and hijinks for the rest of the book, the story turns darker. There is a witch in town, old Emma Cobley, who has cursed the local rich family - their son disappeared at age 8 on the hills, the husband is long missing overseas, the wife is a recluse at their estate. The Linnet children stumble into this and they do resolve it, as expected, but the story is dark, with witchcraft, magical bees, owls, and more. The children remain resolutely stout and English amidst this swirling magic, except for maybe a little bit of Nan is brought into it. As the oldest she is responsible for them and she also finds a little book of spells in Uncle Ambrose's house (the vicarage, where the rich recluse used to live as the old vicar's daughter long ago).
But despite the odd balance of this book I loved it and would have loved it when I was a young reader as well. It was published in 1964, when these themes of English witches were everywhere -- Mary Stewart's Thornyhold, Alexander Key's Escape to Witch Mountain, or any of Ruth Chew's lighter witchy stories, for example. And this kind of dark magic against the (Christian) light is a theme in some of Goudge's other writing, in different ways but present.
The only part I wasn't keen on was Nan's character arc - I could see her resolution coming and didn't like it, and then it happened and I still didn't like it! But this was a fun, relaxing read that I really enjoyed on a steamy summer day.